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Arts & Media

Camera Operator

Right steps, right order · 6 decisions

Level

Clocking on…

Ready?

Camera Operator — your shift

Balance, frame, focus, follow — and check it back before you move on. Do the job one step at a time. Tap the thing that should happen next.

Full screen — no distractions

What does a camera operator do?

You frame and move a camera in real time, and once the moment has happened your shot is either there or it is not.

Also called: cameraman, camera op, videographer.

A day looks like

  1. 1You white balance to the actual light in the room before you shoot anything.
  2. 2You compose — where the eyeline sits, what is behind the head, how much room to lead a movement.
  3. 3You pull focus by hand as somebody walks towards you, which nothing has yet automated reliably.
  4. 4You check your own footage back, because a shot you believed was sharp and was not is a shot that does not exist.

Hardest part

Focus. A shot can be perfectly composed, perfectly timed and perfectly performed and be unusable because the plane of focus was six inches behind the eye — and you often cannot be certain on a small monitor.

Best part

Following a movement you did not know was coming and finding it is framed, level and sharp all the way through.

How you actually become a camera operator

  1. At schoolShooting constantly, and any crew role that gets you next to a camera.
  2. TrainingFilm or broadcast courses; most of it is practice plus specific camera training.
  3. How longTwo or three years as an assistant before operating.
  4. Your first jobCamera trainee or second assistant — batteries, cards and marking focus.
Camera traineeFocus puller / camera operatorDirector of photography

Frequently asked questions

Why does white balance matter if colour can be corrected later?
Because a single wrong setting is correctable and a drifting auto setting is not. Auto white balance shifts as the shot changes, which leaves an inconsistency through the take that no grade fully removes.
What is pulling focus?
Adjusting focus by hand as the subject or camera moves, keeping the important plane sharp. At wide apertures the depth of field can be a few inches, which is why it is a dedicated role on larger crews.
Why hold the shot before and after the action?
Because an editor needs frames to cut into and out of. A shot that begins exactly on the action and stops exactly at the end of it is very difficult to use.

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